Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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Caspar David Friedrich Riesengebirge oil painting


Riesengebirge
1835 Hermitage, St.Petersburg
Painting ID::  1272 		Caspar David Friedrich
Riesengebirge
1835 Hermitage, St.Petersburg
   
   
     
Caspar David Friedrich The Wreck of Hope oil painting


The Wreck of Hope
1824
Painting ID::  1273 		Caspar David Friedrich
The Wreck of Hope
1824
   
   
     
Caspar David Friedrich Moon Rising Over the Sea oil painting


Moon Rising Over the Sea
1821 Hermitage, St.Petersburg
Painting ID::  1274 		Caspar David Friedrich
Moon Rising Over the Sea
1821 Hermitage, St.Petersburg
   
   
     
Caspar David Friedrich On Board a Sailing Ship oil painting


On Board a Sailing Ship
Hermitage, St.Petersburg
Painting ID::  1275 		Caspar David Friedrich
On Board a Sailing Ship
Hermitage, St.Petersburg
   
   
     
Caspar David Friedrich Abbey in an Oak Forest oil painting


Abbey in an Oak Forest
1809-10 Schloss Charlottenburg, Berlin
Painting ID::  1276 		Caspar David Friedrich
Abbey in an Oak Forest
1809-10 Schloss Charlottenburg, Berlin
   
   
     
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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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